Virus Ti Polar A electric guitar collection is essentially much like a dynamic mike coil. For decades, dynamic microphones have been wired with the voice coil attached with the primary of the microphone's transformer, and not called to surface (‘floating'). The microphone's case is typically attached to the cable guard, that is linked to the mike amplifier's ground (see Rane's site for more discussion).
By and large, vibrant microphones are extremely quiet units as a result of the mix of transformer solitude and healthy, floating indication lines throughout, along with guarded, humbucking coils.
So why not instruments? Guitars are notoriously overwhelmed by noise. Humbucking pickups are just an incomplete (though crucial!) solution. The most obvious option is always to move the guitar collection to a balanced productivity, being a microphone. A similar idea was printed this 2001 patent program such as Virus Ti Polar?